Moxf cubase tutorial9/27/2023 In the AUDIO RECORDING series we recorded a MO-XF PERFORMANCE as audio to Cubase. You will find that for some things it is far simpler to record to the MO-XF's sequencer (for example, when attempting to record a PERFORMANCE as MIDI data). If all you look at is the hammer, pretty soon everything starts looking like 'a nail'. A hammer is a great tool, but then again so is a screwdriver. Do not let anyone convince you one is better than another. The answer to this is one that can be simply a matter of choice and should be one that you explore fully. And it will allow a conductor-orchestra relationship so that we all play together, in time. It will locate to the exact same measure and beat, when we need it to. This means it can start and stop when Cubase starts and stops, if we need it to. In fact, our introduction to MIDI (Musical Instrument Digital Interface) was in setting up Cubase as the "master" MIDI clock and setting the MO-XF so that it will "slave" to that clock. In the third of the BASIC AUDIO RECORDING series, we described synchronizing the clock of the MO-XF with that of Cubase, and how this will allow the computer program to count in time with the musical divisions of time (measures and beats). that is, if we apply ourselves and take advantage of the ability to edit and perfect our musical attempts to perform these various other instruments! With MIDI data and its physical controllers we are able to become drummers, guitar players, bass players, cellists, flautist, even zither players of some decent quality. We may have started our musical career with lessons on the piano, but when you own a synthesizer you wind up being self-taught on dozens of other instruments. And specifically the creative power it gives us as synthesizer players. The single biggest advantages of working with MIDI data is the flexibility it gives us as musician/composers. MIDI has been around since the early 1980's and is an important pre-production and compositional tool.
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